Inspiration

Photography, for me, is not only about capturing a building or a space but about uncovering its character. I’m drawn to perspectives that are not always obvious - the angles and details that others might pass by, but that can reveal a story when you stop and look.

Light and contrast are at the heart of my work. I use them to guide the eye, to emphasise forms, and to create tension between shadow and brightness. It’s in that dialogue - between very dark and very bright - that a focal point emerges, pulling the viewer into the image. Lines and structures play just as important a role: they define direction, draw attention, and build a rhythm within the composition.

Sometimes it is an imposing landmark that demands to be seen, but often it’s much subtler. An entrance that either invites or rejects, a façade squeezed between two larger blocks that hides its own character, or a small detail - a frame, a plant, an ornament - that tells the story of the people and the space around it. Even the smallest buildings, when observed with patience, reveal a history, a presence, something more than their everyday appearance.

Inspiration often comes from photographers whose work resonates with these ideas. The black-and-white architectural photography of Joël Tjintjelaar shows how light and form can transform perception, turning a building into something almost sculptural. The landscapes of Michael Kenna, with their stark contrasts and quiet intensity, remind me how powerful storytelling through light and space can be. His images draw you in with such strength that you can’t look away - a quality I strive for in my own photographs.

In the end, my work is about creating images that not only document but also speak. They tell stories of space, light, and form - stories that may be hidden in plain sight, waiting for the right perspective to bring them to life.